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|-------0--0--0--------------------------------------------------| |-0--2-----------2--0--2--0--------------------------------------| |----------------------------0h1---------------------------------| |---------------------------------2------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-7--5-----7--5-----7--5--9--9--9--9-----------------------------| |-6-----6--------6--------9--9--9--9-----------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-7--9--7--7--------7--5--0--0--0--------------------------------| |-------------5--------------------2--0--2--0--------------------| |----------------6-----------------------------0h1---------------| |---------------------------------------------------2------------| |----------------------------------------------------------------| |----------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash