* This content is licensed by BMI
|---7--5--5-X-5---X-X-7-X-7---5-X-5--X-X-7---7--5---------------| |---7--5--3-X-3---X-X-5-X-5---3-X-3--X-X-5---7--5---------------| |---7--6--4-X-4---X-X-6-X-6---4-X-4--X-X-6---7--6---------------| |---9--7--5-X-5---X-X-7-X-7---5-X-5--X-X-7---9--7---------------| |---------------------------------------------------------------| |---------------------------------------------------------------| |---5-X-5-------------------------------------------------------| |---3-X-3--5--6--7----------------------------------------------| |---4-X-4--6--7--7----------------------------------------------| |---5-X-5--7--8--9----------------------------------------------| |---------------------------------------------------------------| |---------------------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash