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|--------------8-8-8------8--------------------| |--9--9--9--9--9-9-9--9---9--9---11---8~-------| |--10-10-10-10--------10-----10--12---8~-------| |----------------------------------------------| |----------------------------------------------| |----------------------------------------------| |------------6-6-6---6----4-------------------------------------| |8-8-8-8-8-8-8-8-8-8-8-8--6--6~------9--9--9--9-----8-----6----4| |8-8-8-8-8-8-------8---8-----6~-6/10--10-10-10--5/8---4/6--3/5--| |---------------------------------------------------------------| |---------------------------------------------------------------| |---------------------------------------------------------------| |---------------| |---------------| |-5-------------| |-6-10-8--6-5-6-| |---11-10-8-6-8-| |---------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash