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|-7-7-7-10-10-10-12-12-12-7-7-7-12-12-12-15-15-14-15-14-15-14-15-| |----------------------------------------------------------------| |-4-4-4-7--7--7--9--9--9--4-4-4-9--9--9--12-12-11-12-11-12-11-12-| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-------------------------------12--------------------------15-17| |-------12----12-15-12-15-15b17----15-12----12-------15--17------| |-12-14----14----------------------------14----14/16-------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-17b19r17p15-----------| |-------------17-15-12/-| |-----------------------| |-----------------------| |-----------------------| |-----------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash