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|---------0---------0---------------------| |-1---1-3---1---1-3---0-0-0-1-1---0-3-1-1-| |---0-------0-0-0-------------0---3-0-0-2-| |-----------2---------------------------2-| |-----------3---------------------------0-| |-1-------------------3---3-3---3---------| |---------0---------0-----------------------0-| |-1---1-3---1---1-3---0---0-1-3-0---0-0-1-1-0-| |---0-------0-0---------0-0---0-3-3-----0-2-2-| |-----------2-----------------------------2-3-| |-----------3---------------2-------------0-3-| |-1-------------------3---------3-----------1-|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash