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|-0--------0--------2--------2-------4-------4-------5-------| |---0---0----0---0----0---0----0---0---0---0---0---0---0---0-| |-----0--------0--------0--------0-------0-------0-------0---| |------------------------------------------------------------| |------------------------------------------------------------| |-0--------0--------0--------0-------0-------0-------0-------| |-5--------7--------7--------9-------9-------11-------11---------| |---0---0----0---0----0---0----0---0---0---0----0---0----0---0---| |-----0--------0--------0--------0-------0--------0--------0-----| |----------------------------------------------------------------| |----------------------------------------------------------------| |-0--------0--------0--------0-------0--------0--------0---------| |-Hn12--| |-Hn12--| |-Hn12--| |-------| |-------| |----0--|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash