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|------------------0------0-----0------------------------------| |-----------------------0---0----------------------------------| |--0h1----2---4---------------------4-----2---0h1--------------| |--------------------------------------------------------------| |--2------4---5---------------------5-----4---2----------------| |0----x-0---x---0----x----0---x---0---x-0---x------------------| |---0-----0----0-----------------------------------------------| |-------0---0--------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |-0---x---0---x------------------------------------------------| |------------------0----0-----0---------------------0----------| |------0-----3--------0---0-------------------------0----------| |--0h1---2-----4------------------2/4-4/2p0-2p0-----2----------| |-----------------------------------------------2p0-2-----0----| |--2-----4-----5------------------3/5---------------2-0p2------| |0---------0-----0--x---0---x---0---------------------------0--|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash