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|--------------------------------------------------------------| |-------3-----3--------3-1-0-----------------------------------| |---0-----0--------0-------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |-3---3-----3----2---2-----------------------------------------| |--------------------------------------------------------------| |-------0------0-------0-1-------1-----1p0---------------------| |---0------0-----0---2-------2-----2---------------------------| |--------------------------------------------------------------| |-2------------------------0---0-----0-------------------------| |-----0------0-----0-------------------------------------------| |--------------------------------------------------------------| |-----0------0--------3----------3-1-0-------------------------| |-0-----0---------2-----2----2---------------------------------| |--------------0----0-----0----0-------------------------------| |--------------------------------------------------------------| |---3-----3----------------------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash