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|-5--5--6--8---5--5--6--9---3--3--5--6--3--3--5--6--1--1--3--5-| |-6--6--8--10--6--6--8--10--5--5--6--8--5--5--6--8--3--3--5--6-| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |-1--1--3--5--0--0--1--3--0--0--1--3--10--10--12--13--10--10-| |-3--3--5--6--1--1--3--5--1--1--3--5--11--11--13--15--11--11-| |------------------------------------------------------------| |------------------------------------------------------------| |------------------------------------------------------------| |------------------------------------------------------------| |-12--13--8---8---12--13--8---8---12--13--6--6--8---10--6--6--8--| |-13--15--10--10--13--15--10--10--13--15--8--8--10--11--8--8--10-| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-10--12--12--13--15--12--12--13--15-| |-11---------------------------------| |------------------------------------| |-----10--10--12--14--10--10--12--14-| |------------------------------------| |------------------------------------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash