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|--(17x)--|-------------------------------| |---------|-------------------------------| |---------|-------------------------------| |---------|--2-2--4-4--5-5--4-4--2-2------| |-0-0-3h4-|---------------------------4-4-| |---------|-------------------------------| |--------------------------------------| |--------------------------------------| |--------------------------------------| |----------2-2--4-4--5-5--4-4--2-2-----| |-0-0-3h4--------------------------4-4-| |--------------------------------------| |--------------------------------------| |--------------------------------------| |--------------1-1--4-4--1-1-----------| |-----1-1--4-4----------------4-4--1-1-| |-2-2----------------------------------| |--------------------------------------| |--------------------------------------| |--------------------------------------| |--------------1-1--4-4--1-1-----------| |-----1-1--4-4----------------4-4--1-1-| |-2-2----------------------------------| |--------------------------------------| |----------|----------|-----------| |-14-13-10-|----13-10-|-13-10--13-| |----------|-11-------|-----------| |----------|----------|-----------| |----------|----------|-----------| |----------|---(8x)---|-----------|
h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (release immediately if no number after r) /\ - slide into or out of (from/to "nowhere") s - legato slide S - shift slide <n> - natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting \n/ - tremolo bar dip; n = amount to dip \n - tremolo bar down n/ - tremolo bar up /n\ - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash